you do what you love, and fuck the rest.
enjoy your day
http://www.youtube.com/watch?v=F6ImxY6hnfA&feature=relmfu
http://www.youtube.com/watch?v=CcNo07Xp8aQ&feature=relmfu
http://www.youtube.com/watch?v=-3a2qoyONVA&feature=relmfu
http://www.youtube.com/watch?v=_PDNRTCuPyQ
Tom Hiddleston raps Will Smith
(I reblogged this before, but the post disappeared)
18 notes (via gracejarger)
![slaughterhousefive:
suicideblonde:
INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
cool. cool cool.](http://25.media.tumblr.com/tumblr_m4uw9gSZmJ1qz9qooo1_500.jpg)
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
cool. cool cool.
This Is All Kinds Of Wrong of the Day: Earlier this month, a North Carolina pastor suggested rounding up gays and lesbians and starving them to death.
Just yesterday, an audio file of a Kansas pastor saying the government should kill gays made the rounds.
Now, we are confronted with perhaps the most egregious homophobic offense in recent weeks — a youngster at Apostolic Truth Tabernacle in Greensburg, Indiana,belted out “Ain’t No Homos Gonna Make It To Heaven,” and the congregation rewarded him with a standing ovation.
can’t wait for the glee cover. oh wait…
1,189 notes (via thedailywhat)
One of my favorites. By the fabulous @KingCharlesUK
On top of the song, this video just rocks my world. It’s everything.
X
PLEASE DEAR GOD PAY ATTENTION TO JOHN/JENNA’S HANDS
pretty sure that’s rainns hand.
(Source: pamelabeesly)
264 notes (via wyndemere & pamelabeesly)
vh1:
Gotye Only Exists So We Can Watch Videos Of Babies Dancing To Gotye [BestWeekEver]
this baby is sassy as hell.
Hannibal Buress was on Conan last night and killed, because of course he did. Click the image to watch his hilarious set, then be sure to tune in to the premiere of Animal Furnace, Sunday at 11/10c on Comedy Central.
405 notes (via comedycentral)
Dean Fleischer-Camp (aka one half of Marcel the Shell), played an extended prank on his friends where he’d ask them to pose for a photo and then take video instead. This is the result.
(Source: The Huffington Post)
15 notes (via huffpostcomedy)
cannot remember the name of this movie for the life of me
we’re back a dinosaurs story
ROLL BACK THE ROCK TIL THE DAWN OF TIME AND SING THIS SONG WITH ME.
3,046 notes (via fuckyeah1990s & fuckyeah1990s)
